Featuring Adam Tune (drums), David Matisse (synthesizer/keyboards) and Jr. Flo (turntablist), the band came together in 2008, drawing upon a wide range of influences, from early house music to southern America's trap production.
The band have toured extensively throughout the US, gaining the attention of Steve Aoki, who released their critically acclaim EP, "Solow" (2013) on his label Dim Mak Records. "Treat Me Right," a track that featured on the EP, gained popularity and support from Keys N Krates' contemporaries, getting substantial airplay on Annie Mac's BBC Radio 1 show and praise from the likes of Diplo, Flosstradamus and TNGHT. Their second single, "Dum Dee Dum" also received wide positive critical acclaim, with the accompanying video becoming hugely popular, gaining nominations for a Prizm Prize and a Berlin Music Video Award.
Keys N Krates have worked with a number of different artists, including King Louie, G.O.O.D Music's Cyhi the Prynce and Grandtheft. The latter's collaboration, "Keep it 100" became a well-played track, being released on Diplo's Mad Decent Records. Their second EP, "Every Nite" again received significant attention and airplay, with the first single "Are We Faded" finding heavy rotation on Annie Mac's radio show.
What sets Key N Krates apart from other electronic acts is the fact that their live performance is completely live, using only drums, keys, turntables and live sampling, as opposed to just playing pre-recorded tracks. Their lively and energetic performances have earned them spots at some of the world's biggest festivals, including Lollapalooza, lactic Zoo, Ultra Music Festival and Sonar Festival.
The music of Keys N Krates seems as though it could be lumped in with other budding EDM artists such as AVICII, Skrillex and Bassnectar and on certain sonic and stylistic levels this seems to make sense; however unlike this newer generation of musicians caught up in the dubstep movement, this group still holds some of the conventions of old school hip-hop and electronic music.
This particularly shines through in their live performances. The trio does implement modern equipment in their sounds such as up to date Akai samplers and controllers, but they also play a great majority of their music live. This is always exciting to see considering how infrequent it is to come by now days amongst electronic artists. The band is a trio consisting of turntablist Jr. Flo, drummer Adam Tune and Keyboardist David Matisse. Tune takes advantage of both electronic and acoustic sources and plays in close synchronization to the unpredictable ebbs and flows of Jr. Flows leads. Jr. Flow actually takes his samples from vinyl records rather than the more common practice of using sources from the computer. Matisse’s keyboard contributions provide a needed steady pulse on which everything rests, however there are instances where he delves into spontaneous melodies. The group has adapted to the modern trends in electronic music. You will hear high frequency vocal glitches, subatomic bass drops and disjointed rhythms. Their sound has blown people away at large festivals like the Mad Decent Block Party and has made lasting impressions at events such as the SXSW showcases. Their mixture of traditional and modern electronica has not only caught the attention of clubbers and party mongers, but it has also sparked interest in those who have been fascinated by the art of older electronic techniques.