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Artistas
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Para fãs de: Pop, Rock, Indie & Alternativo, e Eletrônico.
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The Human League came into being in 1977. The group was united in their quest to create avant-garde, fresh, electronic music that relied on the technology of their day. The group began to gain traction and popularity after they hired a Director of Visuals and began including video clips and extreme lighting within their sets. The sheer entertainment value coupled with the fresh sounds of singles such as “Being Boiled” won the group the beginnings of their following, but this fan base grew exponentially with the release of “Don’t You Want Me”.
The Human League are considered to have started the second wave British Invasion of the United States after their breakthrough single “Don’t You Want Me” went to number one in the US and multiple countries around the world. The song and the band inspired multiple new wave artists and exploded the electronic, avant-garde music scene.
The band has released nine studio albums since 1979. Five were top 20 hits in the UK and two were top 40 hits in the US. The band’s most successful album was 1981’s “Dare” which hit the number one spot in the UK, Sweden, New Zealand and Canada and peaked at number three on the US Billboard 200 chart. It was this album that contained the platinum selling single “Don’t You Want Me” as well as “Open Your Heart” and “Love Action (I Believe In Love)”.
Having sold more than 20 million records world wide, the band has certainly been influential on individuals and bands worldwide. Bands such as Moby and the Pet Shop Boys as well as Little Boots all attribute their sound and style to The Human League. The Human League has toured extensively across the globe and in 2007 they toured with a performance of the set list from their hit album “Dare”. Fans were so excited for this special performance that the band managed to sell out nearly every date. One thing’s for certain, when it comes to any live performance from The Human League: they’ve still got it!
Born in Southport, Lancashire in 1957, Marc Almond moved around the north of England regularly before settling in Horsforth, a suburb of Leeds. Discovering British radio icon John Peel as a child, Almond developed an appreciation for the stage music “Hair” soundtrack, Fleetwood Mac, David Bowie, and Marc Bolan. During his time studying Performance Art at Leeds Polytechnic, the singer and performer met fellow student David Ball, with whom he subsequently formed Soft Cell in 1979.
In 1980 the pair signed to Some Bizarre Label and achieved great success with the singles “Tainted Love”, “Bedsitter”, “Say Hello, Wave Goodbye”, “Torch”, “What!”, and “Memorabilia”. Securing nine Top 40 singles and four Top 20 albums, Soft Cell ultimately disbanded in 1984, however reunited in 2001 to release the album “Cruelty Without Beauty”.
As a solo artist Almond has released a prodigious amount of music, which largely retain the art-aesthetic of Soft Cell releases however align more closely to pop. Almond’s debut solo album arrived in 1984 entitled “Vermin in Ermine”, and earned a string of esteemed reviews. Two albums on Virgin Records followed, “Stories of Johnny” in 1985 and, “Mother Fist and Her Five Daughters” in 1987.
Following a string of albums on Parlophone and Some Bizarre Label, Almond achieved his greatest solo success to date with his 1991 album “Tenement Symphony”. Two more albums on Some Bizarre Label followed before the singer-songwriter signed with Blue Star Music and released the records “Open All Night”, “Stranger Things”, and “Heart on Snow”. Maintaining his momentum well into the second decade of the new millennium, Almond went on to release the albums “Varieté”, “Feasting with Panthers”, “The Tyburn Tree (Dark London)”, “The Dancing Marquis”, “Ten Plagues - A Song Cycle”, and “The Velvet Trail”.
The Human League started out as an experimental electronic band obsessed with science fiction and the prophetic dystopian novels of JG Ballard. Despite their extreme eccentricity and tendencies to defy conventions they ended up as a huge pop success. They deserved every bit of it. They were a group that created demand; not one which acted as a means to fill it. They anticipated the future of pop music and expressed it to its fullest potential.
The Human League entered into the mainstream, but approached it in a completely unorthodox manner. If they were to play the game of becoming pop sensations they were going to do it their way. If you go to one of their shows you will not see a stage with guitarists, bass players and drummers, but rather one filled with synths, dancers and a wildly idiosyncratic singer (that of course being Philip Oakley). Well maybe you will find a drummer at the performance (i.e. Rob Barton); however he will not be playing an acoustic set. The instrumentation of the Human League is all electronic and they do not intend to abandon that trait.
But times have changed and the band has gone in different directions. Founding member Ian Craig Marsh went on to form the equally reputable synth-pop group Heaven 17 and every other member left except Oakey and the two extraordinary vocalist (Joanne Catherall and Susan Sulleey). The Human League is still keeping at it and are releasing consistently good material.
New tracks such as the club thumping "Night People" are heavily rotated in their setlist and you better believe that they will play the timeless single "Don't You Want Me". The stage presence of the band is formal but characteristically off-kilter and the light designs are state of the art. Their sets often include abstract videos that really compliment the futuristic tone of the band. The Human League have not only proven themselves as artists whose material can stand the test of time, but have shown that they can adapt with and influence current trends in music.
wjmcc
Marc Almond - an absolute legend - such an amazing night - will definitely be seeing him again, although I wish he'd sung some more of his old music! Such an amazing voice, and amazing personality - love him to pieces and i'm only 17!!
domnom97
Synthpop, love it or hate it, it’s definitely an influence of at least one artist that you listen to today, with the intricate counter melodies performed in a contrapuntal fashion and the endless possibilities with the banks of sounds used. Lets discuss Blancmange, and English synthpop band who surfaced in the early 80s managing to secure number 8 in the charts with their album “Mange Tout”.
It’s great that they can pull this kind of sound off live too opening with their song “Blind Vision” which features a real host of synthesizers, a variety of sounds. “Living on the Ceiling” inspires some questionable dancing from punters but of course, a happy atmosphere at that. “Don’t Tell Me”, a single from “Mange Tout” elevates the vibe to a happy medium of fun and chill. It feels like a time warp with more moustaches than a Tom Selleck movie. They close with “Lose Your Love”, a single that has been sampled in many different records to this day.
Lannistaar
Don’t be fooled by this absolutely terrible band name “Altered Images”, the Glaswegian post punk band mean well with their new wave sound that smashed its way into the charts in the early 80’s. Tonight is all about the singles that they released over the course of about three years at the height of their career. “Pinky Blue” is the opener from this band, getting the audience going with their mid tempo post punk music. This particular song made it right into the top 40, and still has a great effect on audiences. “I Could Be Happy” is the chart topping song making it to number 7, that every single word is sang along to by patrons in this room. It’s not until they perform their biggest track “Happy Birthday” which of course made it to number 2 in the UK and number 3 in Ireland, that the building implodes from the inside out in excitement. It truly is a wonderful moment. Would’ve been better if they had Altered their band name too.
Lannistaar
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