Para fãs de: Pop, Funk & Soul, e Eletrônico.
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After breaking through on RuPaul’s Drag Race UK, and picking up a huge following, Bimini has since deliberately stripped things back, refocusing on music as the core of their creative output. DJing now sits at the centre of their practice, with visceral sets that encompass house, electro, breaks, drum’n’bass and leftfield club sounds. Often their sets blend DJ and live vocals, providing peak dance floor moments and electrifying energy with every performance.
Alongside DJing, Bimini’s creativity blossoms in the studio and they are currently completing their debut album - a politically charged, no-fucks-given body of work driven by protest, satire and unflinching honesty. Two fingers up at the British establishment with what Bimini refers to as ‘Electro-Cunt-Punk’. Drawing on influences from punk, rave, jungle and queer dance music history, the record is fearsome, unapologetically raw and personal (heartbreak and dickheads also provide touchpoints on the LP). Central to the power of the long-player are Bimini’s razor-sharp tongue, relatable life experiences and irreverent insights. Unfiltered self-expression from a unique persona who found their people through raves, and is channeling their powerful voice and positive energy back into the culture. Their first single ‘TANK TOP BUM BOYS’ from their upcoming debut album came out in June, a riot track named after a homophobic slur Boris Johnson wrote in The Daily Telegraph in 1998.
Bimini has released music via Sony, with BBC Radio 1, Radio 2 and 6 Music support. They’ve also produced high-profile remixes for artists including Anastacia (‘Left Outside Alone’) and Kate Nash (‘GERM’). Touring highlights include both DJ and live shows at All Points East, Roundhouse supporting Kate Nash, Brits official party supporting Lambrini Girls, Creamfields Chile and warming up for Lady Gaga at London’s O2 Arena, with forthcoming dates supporting Fatboy Slim on Brighton Beach and Peaches and Scissor Sisters on UK tours as well as major Pride and festival appearances across the UK, Europe and Australia. Bimini is also a resident for world-leading inclusive party brand HE.SHE.THEY.
On the road, or in the studio, in and out of the music business, Bimini remains a prominent social and cultural voice - one of a kind, wildly creative and embodying punk energy to the very core.
The very name ‘Sugababes’ probably means different things to different people, depending on how old you are; they’ve undergone so many lineup changes these past few years that they make The Smashing Pumpkins look stable. The present lineup, in fact, contains precisely zero original members; Heidi Range is the closest thing they have to a stalwart, at over a decade in the group, but Amelle Berrabah and Jade Ewen are both relatively recent additions. To make things even more confusing, the very first iteration of the band - comprising Siobhan Donaghy, Mutya Buena and Keisha Buchanan - have gotten back together, too, under the inventive banner of Mutya Keisha Siobhan. The current Sugababes are currently on hiatus, with their only record between them, Sweet 7, meeting with an unfavourable response both critically and commercially. Should they choose to regroup, though, the one thing they will have on their side is a formidable back catalogue; one of the strongest in recent British pop history, in fact, with the likes of ‘Freak Like Me’ and ‘Too Lost in You’ only sounding better as the years roll by; the mark of a genuinely excellent commercial pop song. In an ever more fickle scene, though, they’d be well-advised not to leave it too long; irrespective of which version of the group they’re most used to, the public forget alarmingly quickly these days.
As the lead singer of The Gossip, Beth Ditto has pretty much spent her entire career polarising opinion; in fact, during the band’s mid-noughties heyday, when ‘Standing in the Way of Control’ was a staple of indie discos the world over, it almost seemed as if critics wanted to talk about everything to do with Ditto other than her music. She lapped up the controversy, defying expectations to appear nude on the riskiest NME cover for some time, and went on to be held up as an icon for aspiring female punk singers. Of course, when it does come to Ditto’s musical ability, she’s certainly not found lacking; she has a superb voice, one that’s all powerful funk strut one minute and soulful, often bluesy the next; there’s no one you can quite compare to her when it comes to her contemporaries. She also dipped her toe into solo waters in 2011, with the Beth Ditto EP capitalising upon the solo promise that she’d displayed when she covered ‘Temptation’ by Heaven 17 with Pulp frontman Jarvis Cocker back in 2008; she only played a handful of shows in support of that release, but it’s difficult not to see Gossip live shows as the Beth Ditto show anyway.