Para fãs de: Eletrônico e Pop.
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Building an early underground following in his native Holland, Afrojack’s initial explosion onto the scene came with the release of his single ‘Take Over Control’. The song was an instant hit, filling dancefloors all over the world and even reaching Platinum status in the US.
Around this time Afrojack also launched his label imprint ‘Wall Recordings’, a place where he could begin to nurture and grow new EDM talent under his tutorage. He also became one of the first artists to sign a residency in Las Vegas, performing there over a dozen times. Its moves like this that have helped him to ranked by Forbes as one of the highest paid DJ’s in the world.
Collaborations with the likes of EDM royalty such as David Guetta and pop superstars like Chris Brown and Madonna, helped to build Afrojack’s profile and it wasn’t long before he was headlining festivals like Electric Daisy Carnival, playing to over 300,000 people.
2014 saw the release of his debut album ‘Forget The World’ and was a huge success, spurred on by monster singles like ‘The Spark’. His talents have not only been recognized through commercial success but he has been voted at number 9 in ‘Dj Mag’s top Djs’ two years in a row. All of this makes for an impressive resume for someone who is young enough to have plenty left to give – expect to hear a lot more about Afrojack in years to come.
As the son of a DJ, Tiga has always been around electronic music, touring with his father around Goa, India, in the 80s. Beginning to DJ in Canada in the 90s, Tiga saw that there was little to offer in regards to the rave scene, deciding to take matters in his own hands and organized his own parties, taking credit as one of the first people to throw Canada’s first proper rave. Tiga took things further, starting the techno-oriented record store, DNA, as wells the Turbo label, along with DJ Mark Dillon.
It was not until the 2000s that Tiga began to produce his own music, releasing the successful mixtapes, “American Gigolo” and “Mixed Emotions.” He also found a hit with his collaboration with Jori Hulkkonen, on a reinterpretation of Corey Hart’s “Sunglasses at Night,” as the duo, Tiga & Zyntherius, reaching number 23 on the UK Singles Chart. Tiga continued with his remixes and relentless touring, helping to keep him at the top of his game. A successful contribution to the K7 series of mixes, DJ Kicks, came out in 2003, making a big contribution to the current trends in the scene.
In 2006, Tiga released his debut album, "Sexor," which went on to win at the 2007 Juno Awards for 'Dance Recording of the Year.' "Ciao!" followed in 2009, again released to critical and commercial success, from both the underground and mainstream press. Tiga's duo with German techno producer, Zombie Nation, ZZT, released their debut record, "Party's Over Earth" in 2011, helping to expand Tiga's output. A new mix, "Tiga Non-Stop" followed in 2012, premiering his new single, "Plush," to great fanfare. As well as his solo output, Tiga is also the host of the popular BBC 6 Music show, "My Name is Tiga," to which he plays the hottest tracks in electronic music.
Europe is the birthplace of EDM music, so obviously the best artists are European. Nick Van De Wall, better known as Afrojack, is the Netherlands greatest contribution to the world of EDM, and rightly so. His set at Ultra Music Festival 2014 was so unbelievable.
One of the current top reigning EDM artist, Afrojack ALWAYS delivers during his live sets. Making an entrance by starting his tracks and then popping out from below them. He builds it up by addressing the crowd, getting them as pumped up as possible. It also helps that he has a ridiculous amount of stage electronics as well (ie lights, LED screen, even flames and air cannons). He moves as much as the crowd is moving, dancing as he controls his music. He attracts huge crowds making his stage the most fun and energetic around.
When he started spinning take over control, the crowd went wild, and for a while I could really only hear the crowd singing. And if that weren’t enough, he would show a hell of a lot of love to the crowd by picking up the mic and turn the level up even more. It’s like he has endless amounts of energy, which makes for the best dance party ever.
Canadian DJ-producer Tiga (real name: Tiga James Sontag) has messed around with almost every subgenre of electronic dance music, but he’s perhaps best known for his work in electro. He’s been in the game a long time; long before electro, electro house, etc, had filtered into the mainstream. I held some of his early productions in the same high regard and some of the first Justice tracks, and his mix compilations in the early noughties were some of the best from that time, as were his remixes. Of course Tiga is an acclaimed and renowned performing DJ, but it’s always surprised me that he hasn’t had more mainstream recognition. Perhaps the semi-underground space that he inhabits suits him better. I first saw Tiga perform at XOYO in 2011. It was the first time I had ever been to the East End underground basement; this was before the refurb, so it was even dingier than it is now. This dark, gritty space was the perfect setting for his underground club music. Tiga’s set was more up-tempo and bass-y than usual; there was little in the way of vocal samples and points of it shunned melody all together in favour of harder techno beats. Of course, it was the funky electro cuts that got the best reception, but on this night Tiga proved that he was adept at toying with plenty of other genres. As a sidenote: upstairs in the completely empty bar area, Pariah and Blawan smashed out wicked sets, literally just before they blew up. Great night.