Para fãs de: Rock, Indie & Alternativo, Folk & Blues, e Pop.
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It’s genuinely difficult to get a handle on Thee Oh Sees, primarily because they’ve never quite done anything like a real band; what we can say for sure is that they’ve always been centered around John Dwyer, who has used the name as a vehicle to release a wide range of material, from conventional studio records to experimental demo mixtapes. The current live lineup of the band features Nick Murray on drums and Timothy Hellman on bass; both only joined the group in 2014 after Dwyer confusingly hinted at a hiatus, then confirmed a new album for 2014, ‘Drop’. It seems possible that the current trio is only a temporary arrangements whilst the pre-hiatus lineup turn their attentions to other projects.
Dwyer has recorded under the name ‘Orinoka Crash Suite’ since 1997 and changed the name of the band several times, from OCS to Orange County Sound and then The Ohsees in 2006. This latter incarnation has been the most stable, and the slew of albums they’ve released since then have met with critical acclaim, especially 2013’s ‘Floating Coffin’. They have enjoyed mainstream exposure when their 2011 track ‘The Dream’ was featured on the soundtrack to Grand Theft Auto V.
After forming and finding themselves amidst a slew of acclaimed rock bands fron the San Diego area in the early nineties - Rocket from the Crypt, Drive Like Jehu and Blink-182 can all be counted amongst their initial contemporaries - Unwritten Law didn’t actually release a debut record until 1994. When ‘Blue Room’ dropped, though, it encapsulated the aggressive, pacy style of punk rock that the band had become known for on the local scene with countless rapturously received gigs. By the late nineties, they were gradually edging toward stardom, with two more studio albums ‘Oz Factor’ and ‘Unwritten Law’ placing them on the map internationally, thanks to a slot on the Vans Warped Tour that, at the time, covered Europe and Australia as well as North America.
They could potentially have been accused of failing to strike whilst the iron was hit, leaving it until 2002 to return with a fourth album - ‘Elva’ - but the time they spent realigning their punk rock sound, making it more accessible and hard rock-oriented, paid dividends as they made TV appearances and saw their single ‘Seein’ Red’ top the US modern rock charts. They’ve retained a strong cult fanbase the world over since then, despite a slew of lineup changes affecting the band - frontman Scott Russo was, for a while, the only remaining founder member, although drummer Wade Youman rejoined the fold in 2013.
They don't call them "the best live band in the Bay Area" for nothing.
The first time I saw Thee Oh Sees was at Eagle Tavern, which they transformed into a surging sea of people rocking the @#$! out. Personal space was dissolved as, crushed together in the small space, we became one giant writhing mass, arms and hair flung to the jock-strap-covered rafters, pulsing to the beat of guitar and drum.
What on the album is a short, simple song becomes a drawn-out jam in the best possible way - more dance party than hippie noodling. The band's energy is electric, every muscle strained as if the songs are being held back, only to burst forth joyous and free. It's the closest I've ever come to communion with the spirit in every being. Afterwards, the people share a camaraderie, almost as if we had shared something intimate and private. And it's like this every time.
From the first "What's up, San Diego?" amidst the screeching of guitars, I knew I was in love. The drums picked up, as did the guitars, and Unwritten Law's concert had begun. The stage was simple, which was nice for me, because I don't like to see artists get drowned out or eclipsed by fancy visuals or technical elements. I'd much rather be able to focus on the musicians' energies and how they're contributing to a live performance. They contributed fantastically.
Each of the four members poured their heart out onto the stage and into their instruments, and the crowd went nuts. With each surge and each scream from the audience, the band members got even more into rocking it out, and truly magnified their performance into something almost transcendental. Seeing this passion on stage and the love for performing and their music is half the reason to see Unwritten Law life, I think. Their performance of "Save Me," especially, is one where there's truly all of the passion pouring out of these artists. Frontman Scott really gives it his all on stage and pours his heart into "Save Me," an event that sent tingles up my spine. If given the chance, do not miss out on seeing Unwritten Law live.