Para fãs de: Indie & Alternativo, Folk & Blues, Rock, e Pop.
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French-born vocalist and organist Victoria Legrand and guitarist Alex Scally met amidst the buzz of Baltimore’s indie rock community in 2004. The pair soon formed Beach House and began crafting their combinations of drone-like organ sounds, electronic drums, tremolo-induced guitar, and soaring, dreamy vocals. Beach House issued their debut single “Apple Orchard” in August 2006, earning a feature from reputable music critic Pitchfork. The band’s self-titled full-length arrived in October that year, receiving critical acclaim from a host of sources and making a number of year-end best-of lists.
The duo’s sophomore album “Devotion”, issued by Carpark Records, was released in February 2008. Led by the single “Gila”, the album once again generated a stream of positive reviews, and charted at No. 195 on the Billboard 200. Following the release and subsequent worldwide tour, Beach House recorded a version of Queen’s “Play the Game” in aid of the Red Hot Organisation’s “Dark Was The Night” compilation. Legrand went on to provide backing vocals on fellow indie-rockers Grizzly Bear’s hit single “Two Weeks”, before contributing the song “Slow Life” to the “Twilight: New Moon” soundtrack.
Often dubbed as their breakthrough album, the band’s third full-length “Teen Dream” took the indie blogosphere by storm upon release. The record represents a sound honed in on, crafted, and long considered, melancholic melodies floating alongside half-speed percussion and clean guitars notes. Produced by the esteemed Chris Coady, the album exposed Beach House to a huge audience, aided by the singles “Zebra”, “Used to Be” and “Take Care”.
Ahead of their fourth studio album the duo released the single “Myth” on their new label Sub Pop Records in March 2012. A second single “Lazuli” followed in April, before the full-length “Bloom” was issued in May. The album debuted at No. 7 on the Billboard 200, a remarkable feat for an independent band, and was greeted with critical acclaim. Without divagating too far away from their ethereal sway, the record builds upon their earlier releases, adding weight and an experimental edge to their distinguished and polished sound.
There are few bands that can match the surreal beauty of Beach House and seeing them live was something I had to do. I wanted to experience this dream pop duo as they were meant to be heard and not just how they were recorded on the album.
I went to see them at a smaller venue, holding only a couple hundred people. As soon as I arrived, there was a line to go in. Beach House was more popular then I thought. It took me a few minutes to get in, but I still had a good spot by the time the opening bands had played. When Victoria Legrand and Alex Scally took the stage the crowd went still. I don’t think anyone was sure what to expect. The recordings are so soft but strong, would the live performance be the same?
Just then the band started playing “Myth” one of their most popular songs. Everyone got into it. Most had their hands in the air, swaying, dancing, and feeling the music.
Victoria’s vocals were spot on the whole set, both moody and powerful. Alex was great as well playing a simple and overwhelming sound from his guitar. The show closed with the song “Zebra” a true crowd favorite. The song seemed to rock the crowd to sleep. Sadly, as it ended the band left the stage. I think we all could have listened to that set forever.