The legendary Roots crew is bringing A Roots Picnic Experience back to the Bowl for the third year in a row. This time, they’ll be joined by one of the greatest rappers of all time: Nas. Plus, appearances from T.I., Bun B, De La Soul, and more. It’s a celebration of the beauty, joy, and power of hip-hop, curated by one of the greatest groups in the genre’s history
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The son of a Jazz musician, Nas was born with a musical thirst, one that was channeled into hip hop under the influence of neighbor and friend ‘Ill Will’. Even after dropping out of high school, Nas continued to educate himself, utilizing his intellectual life view in his rhymes as he began to garner attention from the likes of producer Large Professor. At just 18, Nas recorded a stand-out verse on Main Source’s ‘Live at The Barbeque’ propelling him to new heights and even securing him a record deal from Columbia under the management of 3rd Bass’ ‘MC Serch’.
With the hype building, Nas was hailed as the best MC since ‘Rakim’ and delivered a certified classic album with his debut, Illmatic. Nas’ complex and insightful rhymes met with world class production and made for a hip hop album unlike anything before it. The album received five mics from ‘The Source’ and is now considered one of the greatest hip hop albums of all time.
The album however, did not translate into commercial success and with mounting pressure from his label, Nas began to slide towards a more mainstream sound for the next run of albums which included ‘I Am…’ and ‘Nastradamus’.
It took a now legendary beef with fellow New York rapper Jay Z to set him back on the right track. Nas countered Jay’s ‘The Takeover’ with the lethal diss song ‘Ether’ which fuelled the release of the ‘Stillmatic’ album and re-secured Nas’ place as one of Hip Hop’s premier talents. He has maintained this success through follow up albums and huge festival appearances and in 2014 a documentary was released documenting the importance of ‘Illmatic’ and Nas on Hip Hop’s history.
T.I. was raised by his grandparents in Georgia, who nicknamed him Tip in memory of his great-grandfather. After meeting local rapper Big Kuntry King, T.I began to make his own mixtapes and was picked up by Ghet-O-Vision Entertainment some years later. Due to another artist on the label using a similar name, Tip was shortened to T.I and a rap star was born.
T.I.’s childhood in Georgia had taught him a lot about hustling, so when his record deal with Arista Records went sour after the release of his first record, it was no surprise when T.I formed his own label, Grand Hustle Entertainment and continued to release mixtapes.
T.I.’s drive and talent won further mainstream attention and he was signed to Atlantic Records where he released his second album, “Trap Muzik”, which was followed by “Urban Legend” a year later. Both albums proved to be a success and were both top 10 albums in the US charts.
T.I.’s biggest successes, though, have been his third, fourth and fifth studio albums titled “King”, “T.I .vs. T.I.P.” and “Paper Trail” respectively. Each hit the number one spot in the US and also won the singer three Grammy Awards. T.I’s single “Whatever You Like” from the album “Paper Trail” proved to be the most successful single for the rapper since the inception of his career, and the track impressively leapt from 71 to the number one spot on the Billboard charts.
T.I. has collaborated successfully with a host of artists throughout his career including Iggy Azalea, Lil Wayne, Pharrell Williams, Justin Timberlake and Robin Thicke, amongst many others. The most successful collaboration was the single “Blurred Lines” with Robin Thicke, which went platinum and hit the number one spot on almost every major music chart.
T.I.’s most recent three studio albums have also all been top five albums in the US charts and have done favourably in other parts of the world. T.I.’s work and the number of fan’s he can attract to any of his gigs really are a testament to his talent.
Fellow rapper Pimp C founded the rap duo Underground Kings in the late 1980s with friend Mitchell Queen. The lineup didn’t last long however and Bun B ultimately joined, alter securing a record deal with independent Houston label Bigtyme Records. The pair’s debut output was the well-received EP “The Southern Way”, which raised the duo's exposure and led to them signing with Jive Records. Unable to release much of their hardcore, explicitly content on their debut full-length, the EP “Banned” was issued in 1993 to satisfy fans. The studio album “Too Hard to Swallow” arrived in 1993 on Jive Records, succeeded by “Super Tight” in 1994, “Ridin’ Dirty” in 1996, and “Dirty Money” in 2001.
Following the arrest of his UGK partner Pimp C, Bun B began making appearances on songs by Paul Wall, Webbie, and Yung Joc, before releasing the mixtape “Legends” in 2005. The same year Bun B issued his debut solo album “Trill”, peaking at No. 6 on the Billboard 200 aided by the singles “Draped Up”, “Git It”, and “Get Throwed”. In 2007 UGK partner Pimp C was found dead in a hotel room, and Bun B’s sophomore album “Il Trill” was in large part a tribute to his former colleague. Debuting at No. 2 on the Billboard 200, the album proved his most successful to date, spawning the singles “That’s Gangsta”, “You’re Everything”, and “Damn I’m Cold”.
Two years later Bun B’s third studio album “Trill OG” hit the shelves featuring 2Pac, T-Pain, Trey Songz, Drake, and Slim Thug. Led by the single “Countin’ Money”, the record earned favourable reviews and charted at No. 4 upon release. “Trill OG: The Epilogue” followed in 2013 once again featuring a host of high-profile contributions from the likes of Big K.R.I.T, Rick Ross, 2 Chainz, and Redman. Debuting at No. 30 on the Billboard 200, the record received positive reviews and cemented Bun B’s position as one of the most celebrated rappers in hip-hop.
Made up of Posdnuos, Dave and Maseo, De La Soul’s debut album, “3 Feet High and Rising,” released on March 3rd, 1989 became a critical smash hit in the hip-hop genre. They became prominent members of the Native Tongues Posse along with A Tribe Called Quest, Black Sheep, Queen Latifah the Jungle Brothers and more. It was also the single “Me Myself and I” that became a huge hit, further cementing the group’s popularity. Unfortunately, the sixties pop group, The Turtles, sued De La Soul for using a sample from their 1969 hit “You Shows Me” for the interlude track “Transmitting Live from Mars”, despite them not even writing the original song. All of this aside, the album made it to #24 in the Billboard Music Charts. It has been dubbed as “One of the greatest albums ever made” by the NME, “The Sgt. Pepper of hip-hop” by the Village Voice. It was also #5 on the top 100 albums of the century, according to Spex.
Their following album, “De La Soul Is Dead”, was released on May 13th 1991. It is highly regarded in the hip-hop community as a classic. The album’s title is in reaction to the group being labelled hippies following its debut release. The album cover, a broken pot of daisies, signals the end of the D.A.I.S.Y age. It has been labelled as edgier than it’s first release. Despite not selling as many units as the previous album, it quickly became a cult classic. The Source magazine listed the album as one of their top 100 hip hop albums of all time, stating that “its true genius is rarely understood”.
Throughout their career, they evolved and transcended, stylistically and musically. There were moments on the album, “Buhloone Mindstate” that proved that the band had matured. “I Be Blowin” was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker. “Breakadawn” featured a sample of Michael Jackson’s “I Can’t Help It” and Smokey Robinson’s “Quiet Storm”. Each album that they released, would gain the kind of critical reputation that would solidify its place as one of the most “influential albums” or “best hip-hop album”.
After a few years out, they made a comeback with their album “Plug 1 & Plug 2 Present…First Serve.” It was in collaboration with French DJ duo Chokolate and Khalid, released on April 2nd 2012.
Given that they’ve already landed themselves quite the day job - they’ve served as the house band for Jimmy Fallon since 2009, following him to The Tonight Show earlier this year - it’s a wonder that The Roots manage to get anything else done, but they’ve continued to record and tour to an impressive degree over the past few years; in fact, drummer and de facto leader ?uestlove even managed to turn out a superb autobiography last year, too. On stage, Roots shows are a lavish affair; musically, they’re one of the most diverse, experimental groups currently in operation in hip hop, and that’s reflected in a diffuse range of instrumentation; in addition to the typical band setup, F. Knuckles provides additional percussion and the aptly-nicknamed Tuba Gooding, Jr. plays the sousaphone - for the uninitiated, think ‘giant tuba’ and you’re just about there. More than twenty five years since their formation, Black Thought’s relentless energy in delivering vocals has barely faded; with a flow and style of delivery that’s at once lively and laid-back, he sonically channels a young Guru of Gang Starr, whilst touching upon a broad range of subjects lyrically. At the core of the band’s live success, though, is ?uestlove; he’s one of the tightest drummers around, and his beat-keeping is one of the most prominent facets in making The Roots such an engaging live proposition.
NAS's performance simply-put, is a flash-back throughout the years and albums. If I Ruled The World (Imagine That), my most memorable song from his set. It was a chilled summer evening, at Summer Set Music Festival back in 2012. Crowd was buzzing with lighters in the air, speakers blasting and NAS putting all he had into that mic. Wearing a blue and white shirt and jeans, with a tiny bit of bling and his shades, he electrified the stage. Coming out and getting the crowd pumped by saying, "Put Your Hands Up" and, "I love the smoke ya'll putting up in the air" often. Beats spewed out of the speakers with no vocals, NAS actually rapped all his song! No lip-syncing, no background vocalists, just him and the crowd. Now of course the die-hard NAS fans knew every word and rapped along with NAS, as for me, I rapped what I remembered, but it didn't matter how much of a fan you were or were not when you saw his performance. Because when he finished you came out a die-hard fan and a satisfied concert-goer. Since NAS doesn't really put out much new stuff, its easy to catch up on his music. So you can enjoy his performance to the fullest, every time.
In 2006, T.I. released an album called ‘King’ and unleashed a whole storm of controversy. Many thought that young Tip was claiming to be king of the south, a title that after only two albums he felt he had earned. Now in 2014, T.I. has become rap royalty with 8 critically-acclaimed albums and 3 Grammy awards. T.I’s set started with “rubber-band man”; a catchy hook and a dope beat produced by David Banner. Right off the back, T.I. brings his high energy raps to get the crowd into it. He then goes into a set of some of his biggest hits mixed with some of music’s biggest hits. You will probably see T.I. do somebody else’s song and do it better. T.I. vocals sound on-point and he does not really need a hype-man but he has several and that may be his down point. Some stand-out hits included ‘Front Back’, ‘You Don’t know me’, and ‘Ball’. Oh and don’t be surprised if T.I. brings out some special guest. He has a lot of talented friends that come out to his shows and perform. Just to name a few; Pharrell, Kendrick Lamar, B.O.B. and Iggy Azalea. T.I. also proves he’s one of the greatest by showing off his freestyle skills. Simply put dude is nice.
Bernard Freeman is hardly the most street of names to go by, so there’s certainly no blaming the man for instead choosing to go by Bun B when he’s rapping; in truth, though, he doesn’t really require a change of name in retrospect, with his towering reputation in the genre more than secure thanks to his role as one half of the pioneering southern hip hop act UGK (UnderGround Kingz). As part of the duo, B - along with his late bandmate Pimp C - proved a huge inspiration to a new generation of rappers, including the likes of Lil Wayne. Since C’s passing, B has spent more time focusing on a solo career, and that of course includes some heavy touring schedules; backed by a hype man and a turntablist, B delivers his intelligent, socially conscious lyrics in incendiary style - his powerful flow is genuinely unique - as he runs through classic cuts both from his own catalogue and the UGK canon. He’s a commanding presence onstage, and remains one of hip hop’s most important underground acts.
De La Soul seem to be in perpetual touring motion; whether it’s anniversary tours for their classic 3 Feet High and Rising LP, hip hop super tours like the Science of Speech festival of a few years back, or large-scale outdoor festivals, they seem to have a set to suit any surroundings. Most recently, an extensive European tour culminated in a hit-packed performance on the Pyramid stage at Glastonbury, with Maseo, Dave and Posdnuos backed by a an extensive live band, with plenty of percussion and a brass section - the latter, anybody would tell you, is essential to the De La sound. They also reminded the crowd just how deep their back catalogue runs; 3 Feet High classics like ‘Me Myself and I’, ‘Eye Know’ and ‘The Magic Number’ were of course present and correct, but a run through the Grammy-winning Gorillaz track ‘Feel Good Inc.’, on which they featured, was barely distinguishable from the original, proving that it was De La, rather than Damon Albarn, that were at the heart of that hit, with Maseo even reproducing his signature maniacal laugh on the track. The trio are back in the UK in August for a slew of club shows; currently in the live form of their lives, you’d be ill-advised to miss them.