The rapper and musician is best known for his hit single 'Because I Got High' which was released in 2001. He showed signs of musical interests when he sold his first tape whilst in the eighth grade featuring a rap about a teacher who got Foreman removed from the school for sagging his pants.
In 1998, Afroman released his first full length album 'My Fro-losophy', he later relocated to Mississippi where he met drummer Jody Stallone, Bass player Darrell Havard and future producer Tim Ramenofsky. The latter produced his second record 'Because I Got High', it's main promotional methods were touring and the file sharing site Napster. The title track was later played on The Howard Stern Show.
The song went on to become a worldwide hit in late 2001, it was featured in several high profile films including The Perfect Score, Disturbia and Jay and Silent Bob Strike Back, to add to the accolades the single went on to earn Afroman a Grammy nomination for Best Rap Solo Performance in 2002. Leading on from this, the rapper went on the join the line up of Cypress Hill's 'Smoke Out' festival. He went on to sign a six album deal with Universal who released a compilation record titled 'The Good Times' which included picks from the rapper's first two LPs and some new material.
He never managed to achieve the success of that release commercially yet he continued to consistently release full length albums along with other material that surfaced online. In 2014 he remixed 'Because I Got High' to support the efforts to legalise marijuana in the US.
From the burning embers of the Lansdale, PA, band The Premier, came vocalist Dan “Soupy” Campbell, guitarist Matt Brasch, and multi-instrumentalist Nick Steinborn. Along with guitarist Casey Cavaliere, bassist Josh Martin, keyboardist Mikey Kelly and drummer Mike Kennedy, the line-up forms Philadelphia punk pop band The Wonder Years. Named after an essay of the same name lead singer Campbell wrote for his after-school education teacher, the band’s early years were spent releasing split EPs with other local bands.
After completing their first tour of the UK, The Wonder Years recorded and self-released their debut album “Get Stoked on It!” on October 30, 2007. The release, along with their touring schedule led to a swelling of the band’s fan base and signing with No Sleep Records shortly afterwards.
The band’s label debut came in spring 2008 with the EP “Won’t Be Pathetic Forever” followed by a split release with UK pop punk band All or Nothing titled “Distances” in 2009. Mikey Kelly subsequently left the band following the release to pursue other outlets.
With a devoted following for the release of their second full-length LP “The Upsides” (2010), the album performed much better commercially than the first, reaching No. 5 on the Billboard alternative artist chart. Shortly after the release the band announced they had signed to Hopeless Records and were releasing a deluxe version of the album with the added songs “I Was Scared and I’m Sorry”, “We Won’t Bury You” and “Dynamite Shovel (Campfire Version)” among others.
After following the release with an extensive touring schedule, The Wonder Years announced they were returning to the studio, the result of which was “Suburbia I’ve Given You All Now I’m Nothing”. Release on June 14, 2011 the album was inspired by the Allen Ginsberg poem entitled “America” and was led by the single “Local Man Ruins Everything”. Subsequent singles included “Don’t Let Me Cave In” and “Coffee Eyes”. In 2012 the band released a split 6-inch with pop punk band Stay Ahead of the Weather with the name “Punk Is Dead” and rereleased their debut “Get Stoked on It!”.
2013 brought four shows in less than 24 hours in promotion of the band’s fourth full-length LP “The Greatest Generation”. Sales for the album were more than double any of The Wonder Years’ previous releases and the success of which led to dates at the UK’s Slam Dunk festival and Vans Warped tour 2013.
My friend told me he had tickets to see Afroman in concert and asked if I wanted to join. I was only familiar with one of his songs, but I decided to go to the concert anyway and had node idea what to expect.
I wasn't sure if it would be like a Weird Al concert, or if Afroman would have some serious songs. We arrived at the show early and the venue was standing room only. My friend and I ended up getting a spot right in the front and there were a few hundred people inside. The air conditioning wasn't working, so it was very hot and some of the [male] crowd ended up taking their t-shirts off. By the time Afroman took the stage, it was close to 90 degrees. He made a few jokes, for example, he said he usually heats things up. To make us feel better, he said he will try to cool us down instead. That got a big laugh from the audience. He then started to perform "Because I got High." He changed the lyrics slightly to be more relevant. Everyone sang and laughed along. It was the best part of the concert. This was surprisingly one of the best shows I have seen all year. Afroman is not a one trick pony. He puts on a great show.
Seeing The Wonder Years at Riot Fest last year in Chicago is one of my fondest memories in a long time.
Riot Fest ensured that the crowd was huge and enthusiastic, dancing and pulsating with The Wonder Year's pop punk anthems. The stage was mostly bare, save for the musicians and their instruments, as Riot Fest has multiple artists perform on the same stage throughout the festival, but that's what I was expecting, as I was there for the band and not the spectacle.
The Wonder Years had a killer set, and made sure that if the audience knew parts of songs that they were singing along. Matt provided some killer back up vocals amidst the three guitarist's solid performances, which was great to see as well as a fan of the super talented Matt Brasch.
Another thing that's great about seeing The Wonder Years live is seeing how each of the bandmates performs the sets on stage, aside from playing the instruments. For example, at Riot Fest Dan "Soupy" Campbell was dancing up a storm, and just seeing how his excitement translated into his body when performing pumped up myself and the rest of the audience even more.
Overall, seeing The Wonder Years at Riot Fest showed me that not only is there genre of music pop punk, but their performance is pop punk, too, which is a rare feat to see onstage.