Pour les fans de Folk & Blues, Rock, Indé et Alternatif, et Pop.
genre_page_link
Steve Winwood’s ‘80s solo career saw the musician adopt a slick and polished blue-eyes soul persona, however before going solo Winwood had an eclectic career spanning decades and genres. Growing up in Handsworth, Birmingham, UK, with a semi-professional musician father, Winwood was a part of the rhythm and blues scene playing the organ and guitar on tours for esteemed artists such as Muddy Waters, T-Bone Walker and Chuck Berry.
Aged 14 Winwood joined the Spencer Davis Group with his older brother Muff and collaboratively had the 1965 No. 1 hit single “Keep on Running” after which Winwood was able to purchase his own Hammond B-3 organ. He was noted for his surprisingly Ray Charles-esque vocals with a maturity and soulfulness way past his years.
Tired of the pop-single format Winwood explored his rock & roll and jazz interests and formed the band Traffic with guitarist Dave Mason, hornist Chris Wood and drummer Jim Capaldi, all of whom had played on Spencer Davis Group’s records. Merging the sounds of R&B, psychedelia, and British pop folk, Traffic released their debut single “Paper Sun” in May 1967, followed a year after with the album “Mr. Fantasy”, before the band split.
Winwood then looked to old friend Eric Clapton who had recently diverged with his band Cream. The two began playing together, along with ex-Cream drummer Ginger Baker, which eventually led to the band Blind Faith, named after the faith record labels were putting into the collaboration. The band released their self-titled debut in the summer of 1969 but the pressure was too much and Blind Faith broke up before the year’s end. Winwood subsequently played in the supergroup Ginger Baker’s Air Force however departed after their debut performance at the Royal Albert Hall.
With the aim of creating a solo album Winwood took to the studio in 1970 however he gradually invited more ex-Traffic member so much so it became a reunion. Traffic subsequently released the albums “John Barleycorn Must Die” in 1970 and “The Low Spark of High-Heeled Boys” in 1971 after which they reached their peak of commercial appeal. The band broke up in 1974 and Winwood spent the next few years as a session musician.
Finally going solo, Winwood released his self-titled debut in 1977 to disappointing results in the wake of a punk revolution, however his follow-up “Arc of a Driver” where he played all the instruments himself became a platinum selling hit in the U.S. After another disappointing album “Taking Back to the Night” in 1983, Winwood left it until 1986 to release “Back in the High Life”, a sophisticated and polished pop affair. The album sold over three million records and spawned his first No. 1 single “Higher Love” which also won a Grammy for Record of the Year.
Winwood has subsequently released the chart-topper “Roll With It” in 1988, "Refugees of the Heart” in 1990 and the Traffic reunion album “Far From Home”. Returning to his solo career his released “Junction Seven” in 1997 co-produced by Narada Michael Walden, the critically acclaimed “About Time” in 2003 and “Nine Lives” in 2008.
Born in Lancaster, England, John Waite's first brush with rock stardom came while playing in the London based hard rock band The Babys. They came together in 1974, releasing their eponymous first album in 1977, and mere months after that album's release their single “Isn't It Time” was riding high on the Billboard charts, peaking at number 13. They managed to match that peak again with the single “Everytime I Think Of You”, but never managed to make any headway in their home country, or with all but one of their five studio albums, and the band came to an end in 1981.
Waite, who had sung lead vocals and played bass in the band, was the most recognisable member of the band by a long shot. Because of this he was snapped up by Chrysalis Records shortly after the band's break-up to release his debut solo album “Ignition” in 1982, and while the album and its lead single “Change” made huge waves on AOR radio it didn't exactly tear up the charts. That would come with Waite's second album “No Brakes”, which was a Gold certified top ten hit album powered by its number one hit lead single “Missing You”.
That wouldn't be the last time that Waite spent time at the top of the charts. In 1987, he rejoined two of his Babys band-mates to form the supergroup Bad English, and scored another number one single on the Billboard Hot 100 in the form of “When I See You Smile”. Waite resumed his solo career after the band came to an end in 1992 due to internal friction, and ever since then, Waite's enjoyed a great career doing exactly what he wants to do. He's worked with everyone from Alison Krauss to Ringo Starr and remains an unmissable live act to this very day. For all this, John Waite comes highly recommended.
What a brilliant show at the Fox Theatre in Oakland on 26June2014! It was obvious from the start that the band put a lot of time into the sound check. The acoustics, which are normally very good in this refurbished 1920's venue, were crystal clear. Another nice touch was the stage setup. The musicians were arranged in a semi-circle, so you could see each one at any time without craning your neck or turning in your seat. The players were all professionals and it really showed! They just rocked! Each had various solos throughout the set. Even a rather long and entertaining drum solo, which the other musicians stood behind the set to admire. Steve's voice was as good as ever. And he appeared to be having a great time, especially when out in front of the band for one of his superb guitar solos (using both Gibson and Fender guitars).
The material spanned his entire career - Spencer Davis, Blind Faith, Traffic and solo selections. The only misgiving I had was that there were no selections from 'As the Eagle Flies'. The band had a jazzy bent to it, which would have lent itself to those tunes. The show was 1 hr 30 mins with a 15 minute, 2 song encore. Can't wait to see him again on the Tom Petty tour later this year.
I saw John Waite in concert on May 27th of this year, 2014. I saw him perform at The Grammy Museum in Los Angeles, California.
If you don’t know who The Babys or Bad English were, then you don’t know hard rock, or this awesome musician who has the vocals of a god.
At the concert, he and the band wore casual clothes that could pass as business casual, but everything was neat and orderly. The crowd wasn’t goo energetic apart from some loud cheering that the end of ballad groups. Regardless of the crowd being quiet most of the time, there was high energy within the crowd, but no one wanted to disturb the sound coming from Waite’s mouth.
The experience of hearing John sing was pretty cool, but it could have been better. The sound quality of the performance should have been checked. The sound was scratchy and all the equalizer settings seemed to be off. Highs became bassy and lows became tinny sounding. I don’t feel like I wasted money and it could have been an incorrect setting by the soundman.
Would I see John Waite in concert again? Yes, without a doubt in my mind. One issue in a single experience doesn’t mean they’ll all be the same.